Buku ini merupakan buku pertama yang meguraikan seluk-beluk penulisan skenario secara sungguh-sungguh, dengan contoh-contoh yang berasal dari film-film terkenal, dan ditulis secara sistematis. Begitu komentar sastrawan dan budayawan terkenal, Ajip Rosidi. Selain mengajar selama puluhan tahun tentang penulisan skenario di IKJ yang sudah melahirkan seniman-seniman film terkemuka Indonesia, penuli…
Kellner melirik potensi pengembangan teori sosial radikal itu pada Engles, yang selama ini diabaikan, seolah-olah ia hanyalah sahabat baik Karl Marx. Padahal faktanya Engles justru lebih awal mencium ketidakberesan dalam masyarakat industri daripada Marx. Dan karena Engles hidup dalam lingkungan masyarakat industrial yang baru tumbuh melahirkan ketimpangan kemiskinan di satu sisi dan borjuasi d…
Containing the series of Masterclass lectures given at the 1995 Edinburgh Film Festival, this book includes Robert Towne talking about Chinatown, the Coen brothers discussing their films, screenwriter Suso Cecchi D'Amico talking about working with Visconti, and Walter Murch discussing the editing of Fred Zinnemann's Julia. There are also contributions from Stephen Soderbergh and Susan Sarandon,…
"Projections 4: Film-makers on Film-Making" adalah buku yang berisi kumpulan esai dari berbagai pembuat film terkemuka tentang film-film, sutradara, dan aktor yang memiliki arti khusus bagi mereka. Edisi ini, yang berkolaborasi dengan majalah film Prancis, Positif, menampilkan 70 pembuat film internasional, termasuk Altman, Angelopoulos, Chabrol, Coen bersaudara, Eastwood, dan lainnya. Mereka b…
The centrepiece of this issue comes from the celebrated French film magazine, Cahiers du Cinema. For their 500th issue Martin Scorsese contributed material not only about his own work - including his relationship with Robert de Niro - but also about film-makers he admires: those of his generation (Coppola, De Palma, Lucas and Spielberg), as well as those film-makers whose legacy enriches cinema…
Celebrates French cinema by using the interviews conducted by "Positif" magazine with the major French film-makers. This book presents a panorama of French cinema ranging from the aesthetic masterpieces of Robert Bresson to the searing aggression of Mathieu Kassovitz's La Haine, including along the way the masters of the French New Wave.
In The Tools of Screenwriting, David Howard and Edward Mabley illuminate the essential elements of cinematic storytelling, and reveal the central principles that all good screenplays share. The authors address questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics as they apply to the special art of filmmaking. Howard and Mabley als…
The updated and revised third edition provides new insights and observations from Vogler's ongoing work on mythology's influence on stories, movies, and man himself. The previous two editons of this book have sold over 180,000 units, making this book a 'classic' for screenwriters, writers, and novelists.
The 20th anniversary edition of one of the most popular, authoritative, and useful books on screenwriting. A standard by which other screenwriting books are measured, it has sold over 200,000 copies in its twenty-year life. Always up-to-date and reliable, it contains everything that both the budding and working screenwriter need under one cover five books in one! A Screenwriting Primer that pro…
The book uses extensive illustrations to explain how to create extended sequence shots, elaborate moving camera choreography, and tracking shots with multiple story points.